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A war recreated for the filming of a movie leads to the fleeing of an entire village in the Golan Heights; weapons are planted in the home of a Palestinian family in East Jerusalem to stage an action scene; and a props and weapons man is revealed to be suffering from PTSD while dealing with moral trauma. The trilogy examines the ethical aspects of reenactment and how militarism's grip on Israeli society (also) corrupts cinema.
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Released